Welcome to Marinduque-My Island Paradise

If this is your first time in my site, welcome! If you have been a follower, my heartfelt thanks to you, also. Help me achieve my dream, that someday, Marinduque will become a world tourist destination not only on Easter Week, but also whole year round. You can do this by telling your friends and relatives about this site. The photo above is Mt Malindig in Torrijos. Some of the photos and videos on this site, I do not own. However, I have no intention on the infringement of your copyrights. Cheers!

Marinduque Mainland from Tres Reyes Islands

Marinduque Mainland from Tres Reyes Islands
View of Mainland Marinduque from Tres Reyes Islands-Click on Photo to link to Marinduque Awaits You

Friday, September 30, 2011

Chinese-American Violinist Plays Philippine Kundiman

Stephen Shey-Chinese-American Violinist

This world renowned ambassador of Philippine Kundiman music is NOT Filipino.... violinist virtuoso Stephen Shey is Chinese-American yet he plays a suite of classical Filipino music in his concerts around the world.

At 18, Stephen Y.S. Shey, Chinese American violinist, made his international debut in Manila, Philippines at the James B. Reuter Theater, St. Paul University. He has just returned from a 3-week, 8-city concert tour in China with Maestro Cheung Chau's Orchestra. At the invitation of the Philippine Ambassador of the Nordic States in 2005, he performed at The Music Museum in Stockholm, Sweden. Shey’s signature repertoire of Philippine Kundimans has made him the only concert artist who has recognized the passionate and lyrical romanticism conveyed by Philippine classical composers and pays tribute to them in full length kundiman concerts. In 2007, he and pianist Kanako Nishikawa performed at the Zipper Concert Hall in Los Angeles in a concert entitled "Passion. Confession. Kundiman". In 2004, at the invitation of the Philippine Ambassador Albert del Rosario, he serenaded the Filipino veterans at the World War II Memorial dedication ceremony in Washington, D.C. At 15, he gave a concert at the Library of Congress that featured classical arrangements of folk music from various Asian countries. In the past 3 years, Shey has attended workshops and music festivals in Poznan, Poland, Stamford, England, Cummington, Mass., Fryeberg, Maine, Stevens Point, Wis., and Kingston, Ontario, Canada. Shey is studying under Prof. Mark Lakirovich. His primary teachers include Eric Rosenblith, Dana Mazurkevich, Aideen Zeitlin, and Blanka Bednarz.

Top Comments
1.You are Stephen Shey. Of all the people you have found a way of expressing the unspoken passion in the heart of every Filipino worthy of being called as a Filipino. Kundiman is the music of a generation who are now in the twilight of their lives. But hearing the interpretation of Stephen, something stokes the fire in my belly. I am a Filipino and his music reminds me that I have a rich culture and I will have to nurture and cherish it. Bravo Stephen Shey, your music is food to my soul.

2. He plays Kundiman and wears Barong...whoever you are, I am proud of you, young man.

Do you know of a Filipino-American violinist playing Kundiman?

Thursday, September 29, 2011

Wednesday, September 28, 2011

Filipino Women Withhold Sex for Peace

This was in the news last week, just in case you have not read it!



Are you a Filipino woman displaced by separatist fighting, and unable to sell your goods at market thanks to a closed-down road? Why not band together with your fellow woman at the sewing cooperative and withhold sex from your husbands until they stop fighting and re-open the road? It worked for the women of Dado, according to the UN's refugee agency. We'd call it a novel solution.

Tuesday, September 27, 2011

Filipinos are Special

I received the following from e-mail this week.

Why is the Filipino Special?

1.Filipinos are brown. Their color is at the center of human racial strains. This point is not an attempt at racism, but just for many Filipinos to realize that our color should not be a source of or reason for an inferiority complex. While we pine for a fair complexion, white people are religiously tanning themselves, under the sun or artificial light, to approximate the Filipino complexion.

2.Filipinos are a touching people. We have lots of love and are not afraid to show it. We almost inevitably create human chains with our perennial akbay (putting an arm around another's shoulder), hawak (hold), yakap (embrace), himas (caressing stroke), kalabit (touching with the tip of the finger), kalong (sitting on someone else's lap), etc. We are always reaching out, always seeking interconnection.

3.Filipinos are linguists. Put a Filipino in any city, any town around the world. Give him a few months or even weeks and he will speak the local language there. Filipinos are adept at learning and speaking languages. In fact, it is not uncommon for Filipinos to speak at least three: his own local dialect, Filipino, and English. Of course, a lot speak an added language, be it Chinese, Spanish or, if he works abroad, the language of his host country. In addition, Tagalog is not 'sexist.' While many 'conscious' and 'enlightened' people of today are just by now striving to be 'politically correct' with their language and, in the process, bend to absurd depths in coining 'gender sensitive' words, Tagalog has, since time immemorial, evolved gender-neutral words like asawa (husband or wife), anak (son or daughter), magulang (father or mother), kapatid (brother or sister), biyenan (father-in-law or mother-in-law), manugang (son or daughter-in-law), bayani (hero or heroine), etc. Our languages and dialects are advanced and, indeed, sophisticated!

4.Filipinos are groupists. We love human interaction and company. We always surround ourselves with people and we hover over them, too. According to Dr. Patricia Licuanan, a psychologist from Ateneo and Miriam College, an average Filipino would have and know at least 300 relatives. At work, we live bayanihan (mutual help); at play, we want a kalaro (playmate) more than laruan (toy). At socials, our invitations are open and it is more common even for guests to invite and bring in other guests. In transit, we do not want to be separated from our group. So what do we do when there is no more space in a vehicle? Kalung-kalong! (Sitting on one another). No one would ever suggest splitting a group and wait for another vehicle with more space!

5.Filipinos are weavers. One look at our baskets, mats, clothes, and other crafts will reveal the skill of the Filipino weaver and his inclination to weaving. This art is a metaphor of the Filipino trait. We are social weavers. We weave theirs into ours that we all become parts of one another. We place a lot of premium on pakikisama (getting along) and pakikipagkapwa (relating). Two of the worst labels, walang pakikipagkapwa (inability to relate), will be avoided by the Filipino at almost any cost. We love to blend and harmonize with people, we like to include them in our 'tribe,' our 'family'- and we like to be included in other people's families, too. Therefore we call our friend's mother nanay or mommy; we call a friend's sister ate (eldest sister), and so on. We even call strangers tia/tita (aunt) or tio/tito (uncle), tatang (grandfather), etc. So extensive is our social openness and interrelations that we have specific title for extended relations like hipag (sister-in-law's spouse), balae (child-in-law' s parents), inaanak (godchild), ninong/ninang (godparents) kinakapatid (godparent's child), etc.

6.In addition, we have the profound 'ka' institution, loosely translated as 'equal to the same kind' as in kasama (of the same company), kaisa (of the same cause), kapanalig (of the same belief), etc. In our social fiber, we treat other people as co-equals. Filipinos, because of their social 'weaving' traditions, make for excellent team workers.

7.Filipinos are adventurers. We have a tradition of separation. Our myths and legends speak of heroes and heroines who almost always get separated from their families and loved ones and are taken by circumstances to far-away lands where they find wealth or power. Our Spanish colonial history is filled with separations caused by the reduction (hamleting), and the forced migration to build towns, churches, fortresses or galleons. American occupation enlarged the space of Filipino wandering, including America, and there is documented evidence of Filipino presence in America as far back as 1587. Now, Filipinos compose the world's largest population of overseas workers, populating and sometimes 'threshing' major capitals, minor towns and even remote villages around the world. Filipino adventurism has made us today's citizens of the world, bringing the bagoong (salty shrimp paste), pansit (sautéed noodles), siopao (meat-filled dough), kare-kare (peanut-flavored dish), balut (unhatched duck egg), and adobo (meat vinaigrette), including the tabo (ladle) and tsinelas (slippers) all over the world.

8.Filipinos are excellent at adjustments and improvisation, managing to recreate their home, or to feel at home anywhere. Filipinos have pakiramdam (deep feeling/discernment). We know how to feel what others feel, sometimes even anticipate what they will feel. Being manhid (dense) is one of the worst labels anyone could get and will therefore, avoid at all cost. We know when a guest is hungry though the insistence on being full is assured. We can tell if people are lovers even if they are miles apart. We know if a person is offended though he may purposely smile. We know because we feel. In our pakikipagkapwa (relating), we get not only to wear another man's shoe but also his heart.

9. We have a superbly developed and honored gift of discernment, making us excellent leaders, counselors, and go-betweens.

10.Filipinos are very spiritual. We are transcendent. We transcend the physical world, see the unseen and hear the unheard. We have a deep sense of kaba (premonition) and kutob (hunch). A Filipino wife will instinctively feel her husband or child is going astray, whether or not telltale signs present themselves. Filipino spirituality makes him invoke divine presence or intervention at nearly every bend of his journey. Rightly or wrongly, Filipinos are almost always acknowledging, invoking or driving away spirits into and from their lives. Seemingly trivial or even incoherent events can take on spiritual significance and will be given such space or consideration.

11.The Filipino has a sophisticated, developed pakiramdam. The Filipino, though becoming more and more modern (hence, materialistic) is still very spiritual in essence. This inherent and deep spirituality makes the Filipino, once correctly Christianized, a major exponent of the faith.

12. Filipinos are timeless. Despite the nearly half-a-millennium encroachment of the western clock into our lives, Filipinos-unless on very formal or official functions-still measure time not with hours and minutes but with feeling. This style is ingrained deep in our psyche. Our time is diffused, not framed. Our appointments are defined by umaga (morning), tanghali (noon), hapon (afternoon), or gabi (evening). Our most exact time reference is probably katanghaliang- tapat (high noon), which still allows many minutes of leeway. That is a how Filipino meeting and occasions are timed: there is really no definite time. A Filipino event has no clear-cut beginning nor ending. We have a fiesta, but there is visperas (eve), a day after the fiesta is still considered a good time to visit. The Filipino Christmas is not confined to December 25th; it somehow begins months before December and extends up to the first days of January.

13. Filipinos are Spaceless. As in the concept of time, the Filipino concept of space is not numerical. We will not usually express expanse of space with miles or kilometers but with feelings in how we say malayo (far) or malapit (near). Alongside with numberlessness, Filipino space is also boundless. Indigenous culture did not divide land into private lots but kept it open for all to partake of its abundance. The Filipino has avidly remained 'spaceless' in many ways. The interior of the bahay-kubo (hut) can easily become receiving room, sleeping room, kitchen, dining room, chapel, wake parlor, etc. Depending on the time of the day or the needs of the moment. The same is true with the bahay na bato (stone house). Space just flows into the next space that overhead arches of filigree may only faintly suggest the divisions between the sala, caida, comedor, or vilada. In much the same way, Filipino concept of space can be so diffused that one 's party may creep into and actually expropriate the street! A family business like a sari-sari store or talyer may extend to the sidewalk and street. Provincial folks dry palayan (rice grain) on the highways!

14.Religious groups of various persuasions habitually and matter-of-factly commandeer streets for processions and parades. It is not uncommon to close a street to accommodate private functions, Filipinos eat. sleep, chat, socialize, quarrel, even urinate, or nearly everywhere or just anywhere! 'Spacelessness, ' in the face of modern, especially urban life, can be unlawful and may really be counter-productive. On the other hand, Filipino spacelessness, when viewed from his context, is just another manifestation of his spiritually and communal values. Adapted well to today's context, which may mean unstoppable urbanization, Filipino spacelessness may even be the answer and counter balance to humanity's greed, selfishness and isolation.

15.So what makes the Filipino special? Brown, spiritual, timeless, spaceless, linguists, groupists, weavers, adventurers; seldom do all these profound qualities find personification in a people. Filipinos should allow - and should be allowed to contribute their special traits to the worldwide community of men - ah. . . but first, they should know, like & love themselves.


Comments anyone?

Monday, September 26, 2011

Sunday, September 25, 2011

Marooned Without You

I love this song!



Marooned Without You.
Written by John Patrick Shanley.
Music by Georges Delerue.

Why is my heart marooned without you
The sun goes down
My dreams begin their refrain
I call to whatever holds you
My beloved
I wait and I wait

Why is my heart marooned without you
A tiny light upon the sea
My heart is so afraid
You have broken away
Tell me, darling, I pray
You will come to me soon
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